To this day, Victorian death pictures remain chilling artifacts of a bygone era that's shocking to modern sensibilities.
This photograph, which identifies a boy named William, is believed to be a post-mortem portrait. Circa 1850. Wikimedia Commons This portrait shows the son of the mayor of Vienna on his deathbed. Circa 1850.Österreichischer Photograph/Wikimedia Commons In this portrait, the photographer positioned the child in a seated pose. The collapsed neck and the lack of blurring may indicate that this was a post-mortem photograph. Circa 1870.Boatswain88/Wikimedia Commons A daguerreotype of a deceased child. Peaceful positioning like this helped many families memorialize their beloved children. Circa 1885.Sepia Times/Universal Images Group via Getty Images The French photographer Eugène Cattin took this picture of a deceased child. The family may have opened the boy's eyes to give the appearance of life.Eugène Cattin/Wikimedia Commons A post-mortem portrait of Frederick III, the Emperor of Germany. He reigned for only 99 days before dying of throat cancer. 1888.Wikimedia Commons Taken by photographer Emma Kirchner, this image captures a deceased child positioned on a pillow. Circa 1876-1899.Emma Kirchner/Wikimedia Commons The photographer Henri Pronk captured this heartbreaking post-mortem photo of a young child. Circa 1865.Henri Pronk/Rijksmuseum In this likely Victorian death photo, the photographer positioned this young girl to give the impression of peaceful slumber.Southworth & Hawes/Wikimedia Commons This 1867 portrait from Mexico shows Tomás Mejía, a Mexican general who was executed. The photographer placed Mejía in a chair and held his feet in place to capture the image.Library of Congress The practice of post-mortem photography lingered even after the Victorian era. When the Norwegian composer Edvard Grieg died in 1907, photographers took a composed portrait of his body.A.B. Wilse/Bergen Public Library Norway In this likely 19th-century Victorian death photo, a mother and father pose with their daughter. Both parents are blurry, a side effect of them moving during the exposure, while the daughter remains completely still.Wikimedia Commons When the president of Ecuador died in 1875, his body was embalmed and photographed in his uniform.Wikimedia Commons Just after the Victorian era, the artist Gustav Klimt painted a portrait of his deceased son in 1902. The boy, Otto, had died in infancy. Like post-mortem photographs, Klimt's portrait helped him remember his child.Gustav Klimt/Wikimedia Commons A 19th-century collection of photographs of Hawaiians includes an image of a woman holding a deceased child. Circa 1880.Library of Congress This portrait of a deceased child dates back to the second half of the 19th century.Liljenquist Family Collection of Civil War Photographs/Library of Congress A mother holds her deceased child in this post-mortem photograph. The mother likely wears black to symbolize her mourning, while the child likely wears white to symbolize the soul's ascension to heaven. Tallahassee, Florida. Circa 1885-1910. Alvan S. Harper/State Library and Archives of Florida Alphonse Le Blondel was an early adopter of the daguerreotype. He highlighted the peaceful nature of the deceased child and the father's mourning in this post-mortem photo. Circa 1850.Alphonse Le Blondel/Metropolitan Museum of Art Photographer Carl Durheim captured this image of a deceased child by positioning the body to heighten the sense of peacefulness.Carl Durheim/Getty Center In this portrait, the photographer positioned the young girl in a chair and then later added blush to her cheeks to give the impression of life. Circa 1870.Sepia Times/Universal Images Group via Getty Images The artist Emil Fuchs painted an idealized portrait of Queen Victoria lying in state after her death in 1901. While painting gave artists a great deal of control, many families preferred photographs to remember their loved ones.Emil Fuchs/Brooklyn Museum This daguerreotype shows the trend of positioning subjects, dressing them in clean, white clothes, and styling their hair to make them look presentable. The United States. Circa 1850.Sepia Times/Universal Images Group via Getty Images In this daguerreotype, the photographer propped up a young man in a suit with a shawl-draped block. The addition of pink on the man's cheeks is meant to give the appearance of life. Circa 1855.McClees and Germon/Beinecke Library This portrait of a deceased child dates back to the second half of the 19th century. The mother's arms are visible in the portrait.Library of Congress In 1772, the artist Charles Willson Peale painted a portrait of his deceased child, Margaret, to remember her. Years later, Peale added his wife Rachel standing over the child in mourning. This 18th-century painting predated the trend of post-mortem photography.Charles Willson Peale/Philadelphia Museum of Art This early daguerreotype shows a recently deceased man lying in bed with sheets covering his body. Circa 1845.Library of Congress By positioning post-mortem photographs upright in the frame, families avoided the impression that their deceased child was only asleep. For many grieving families of the time, a post-mortem photograph was often the only image they had of their child.Sepia Times/Universal Images Group via Getty Images
27 Victorian Death Photos — And The Disturbing History Behind Them View GalleryThanks to high mortality rates and the rampant spread of disease, death was everywhere during the Victorian era. So many people came up with creative ways to remember the dead — including Victorian death photos. While it may sound macabre today, countless families used post-mortem photos to memorialize their lost loved ones.
"It is not merely the likeness which is precious," said Elizabeth Barrett Browning, a Victorian-era English poet, as she gazed upon a post-mortem portrait, "but the association and the sense of nearness involved in the thing... the very shadow of the person lying there fixed forever!"
For many people of the Victorian era, a post-mortem portrait might be their first experience with photography. The relatively new technology presented an opportunity to retain a permanent image of their deceased relatives — many of whom had never been photographed while they were alive.
Today, Victorian death photos may seem disturbing. But for people in the 19th century, they provided comfort during times of grief. You can see some of the most striking examples of this practice in the gallery above.
Why Did People Take Post-Mortem Photos?
Beniamino Facchinelli/Wikimedia CommonsThe Italian photographer Beniamino Facchinelli took this portrait of a deceased child around 1890.
In the first half of the 19th century, photography was a new and exciting medium. So the masses wanted to capture life's biggest moments on film. Sadly, one of the most common moments captured was death.
Due to the high mortality rates, most people couldn't expect to live past their 40s. And when disease spread, infants and children were especially vulnerable. Illnesses like scarlet fever, measles, and cholera could be a death sentence for young people in an era before vaccines and antibiotics.
Photography offered a new way to remember a loved one after death — and many Victorian death photos became family portraits of sorts. They often depicted mothers cradling their deceased children or fathers watching over their children's deathbeds.
One photographer recalled parents who carried a stillborn baby to his studio. "Can you photograph this?" the mother asked, showing the photographer "a tiny face like waxwork" hidden away in a wooden basket.
The concept of creating a post-mortem portrait long predated photography. But in the past, only the very wealthiest families could afford to hire artists to create an illustration of their loved one. Photography allowed people who were less wealthy to get a post-mortem image as well.
Death photographers learned how to pose children to give the appearance of peaceful slumber, which brought comfort to grieving parents. Some photographers edited their daguerreotype — an early form of photography that produced a highly detailed picture on polished silver — by adding a tint and bringing a bit of "life" to the subject's cheeks.
These images were deeply comforting to grieving family members. Mary Russell Mitford, an English author, noted that her father's 1842 post-mortem photograph "has a heavenly calm in it."
The Creation Of Post-Mortem Photos
National TrustThe tradition of preserving images of deceased children existed long before photography. In this 1638 painting, the artist memorializes the brother of the Duke of Devonshire.
Photographing dead people may seem like a ghastly task. But in the 19th century, deceased subjects were often easier to capture on film than living ones — because they weren't able to move.
Due to the slow shutter speed of early cameras, subjects had to remain still to create crisp images. When people visited studios, photographers would sometimes hold them in place with cast-iron posing stands.
As you might expect, Victorian death photos are often easy to identify because of their lack of blurring. After all, subjects in these portraits did not blink or shift suddenly.
Unlike many portraits, which were taken in photo studios, post-mortem photos were usually taken at home. As the trend of death portraits took hold, families put effort into preparing their deceased relatives for the photoshoot. That could mean styling the subject's hair or their clothes. Some relatives opened the dead person's eyes.
Photographers and family members sometimes decorated the scene to make the purpose of the photograph clear. In some images, flowers surround the deceased. In others, symbols of death and time — like an hourglass or a clock — mark the portrait as a post-mortem photograph.
By capturing the dead on film, Victorian death photos gave families the illusion of control. Although they had lost a beloved relative, they could still shape the portrait to emphasize a sense of calmness and tranquility.
In some cases, post-mortem photographs actively created the impression of life. Families could request makeup to mask a deathly pallor. And some photographers even offered to paint open eyes on the final image.
Beyond Victorian Death Photos: Masks, Mourning, And Memento Mori
Bain News Services/Library of CongressThe creation of a death mask in New York. 1908.
People in the Victorian era mourned deeply after the death of a loved one — and this mourning certainly wasn't limited to photos. It was common for widows to wear black for years after their husbands died. Some even clipped hair from their dead loved ones and preserved the locks in jewelry.
As if that wasn't dark enough, Victorians often surrounded themselves with memento mori, or reminders of death. The literal meaning of that phrase is "remember you must die." To Victorians, this phrase meant that the dead should be honored — and that the living should never forget their mortality.
The practice of creating death masks was another way that Victorians remembered the dead. According to the 19th-century collector Laurence Hutton, a death mask "must, of necessity, be absolutely true to nature."
To capture the likeness of a dead person, a mask maker would spread oil over the face before pressing plaster over the person's features. Sometimes the process left a seam down the middle of the face or exaggerated beards and mustaches since the hair was slicked down.
The Victorians did not invent death masks — the practice dates back to the ancient world — but they were notable for their obsession with creating and possessing the masks.
Families placed death masks of loved ones atop mantels. Some doctors offered to make death masks after pronouncing a notorious criminal dead. And the booming phrenology industry — a pseudoscience that studied bumps on the skull to explain mental traits — used death masks as a teaching tool.
Fake Victorian Post-Mortem Photos
Charles Lutwidge Dodgson/National Media MuseumAn 1875 portrait of the author Lewis Carroll, often incorrectly described as a post-mortem photograph.
Today, some Victorian death photos shared online are actually fakes — or they're photographs of the living mistaken for the dead.
Take, for example, a commonly shared image of a man reclining in a chair. "The photographer posed a dead person with his arm supporting the head," many captions claim. But the photograph in question is a picture of the author Lewis Carroll — taken years before his death.
Mike Zohn, the owner of Obscura Antiques in New York, offers a handy rule of thumb when studying Victorian death photos: "As simple as it sounds, the big general rule is if they look alive — they're alive."
Although some Victorians tried to breathe life into photographs of the dead — with the addition of color on the cheeks, for example — the vast majority of them simply sought to preserve the image of a lost loved one.
While many of us couldn't imagine doing this today, it's clear that this practice helped the Victorians with their grief during a time of great strife.
After learning about Victorian death photography, check out these fascinating Victorian portraits. Then, read about the trend of spirit photography in Victorian England.
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